Jean Baudrillards Disneyworld Company Theory Analysis

Jean Baudrillards Disneyworld Company Theory Analysis In his essay Disneyworld Company (1996), Jean Baudrillard suggests that we are living within an immediate synchronism of all the places and all the periods in a single a-temporal virtuality. Please explain this statement, referencing at least two contemporary digital examples. In his statement ‘an immediate synchronism of all the places and all the periods in a single a-temporal virtuality‘, Baudrillard is addressing the gap between what we can see as the known and the experienced (Baudrillard, 1996). It is in this sense that Baudrillard is writing against the notion of human nature and revealing only experience as the real and knowledge as merely the imagined. It is due to this gap that Baudrillard is then able to show that virtuality has begun to replace our real perceptions. To understand this in full we must investigate his and other philosopher’s thoughts regarding the digital age in greater detail. Informed primarily by the role that intelligence and sensual perception plays as it is applied to experience and knowledge, Baudrillard looked at the role of subjectivity as it related to both the objective and the phenomenological world. Beginning his enquiry into humanity and reality and its relationship to the world, Baudrillard focused upon the condition of the free world and its growing technologies with an emphasis that its Medias had placed upon commercialisation, imagery and art consumption. Baudrillard spoke of the new emphasis on the philosophy of self fulfilment suggesting that, ‘Through planned motivation we find ourselves in an era where advertising takes over the moral responsibility for all of society and replaces a puritan morality with a hedonistic morality of pure satisfaction, like a new state of nature at the heart of hyper civilisation’ (Baudrillard, 1968, p.3) After prescribing this current philosophical and moral reality that he believed informed the condition for humanity in the west, Baudrillard then turned to a notion of subject / object consciousness in an attempt to define a link between our knowledge and our experience. Detailing a consumer-able condition that pertained very strongly to post modern, capitalist living, Baudrillard concluded that the relationship between the subject and object now formed the living consciousness of an abstracted life between what he/she identifies with and what is signified in the actual consummation of any chosen object, such as an image, by stating that, ‘We can see that what is consumed are not objects but the relation itself signified and absent, included and excluded at the same time it is the idea of the relation that is consumed in the series of objects which manifests it.’ (Baudrillard, 1967, p.11) What Baudrillard does here is implement the idea of a simulated code acting as our knowledge, rather like that of a robot with artificial intelligence, that works by replacing the old humanised ideological frameworks that once informed society and acted as the gel between experience and knowledge / subject and object. These driving forces once born of experience communicated through culture and language in the forms of social exchange and communal ideology were seen by Baudrillard as being the premise of the image. In this we see that Baudrillard is showing how this simulated code informs a new humanity, devoid of natural origin, that does not live out a life according to cultural meaning that is supported by a communal language, but instead acts out an imagined life that can be understood and identified by its relationship to the values apparent within the code or what Bakhtin called the ‘relationship of the other’ essentially, placing life itself as a simulated relati onship to a tructural code of knowledge. (Bakhtin, 1993). Writing on the subsequent implications of this reality that he defined as hyper-reality and documenting the cultural shift that supported the change from registering external behaviour of a subject as an indication of a subjective response to the recognition of the other as an objective image of simulated experience, Baudrillard suggested that, ‘A whole imagery based on contact, a sensory mimicry and a tactile mysticism, basically ecology in its entirety, comes to be grafted on to this universe of operational simulation, multi-stimulation and multi response. This incessant test of successful adaptation is naturalised by assimilating it to animal mimicry. , and even to the Indians with their innate sense of ecology tropisms, mimicry, and empathy: the ecological evangelism of open systems, with positive or negative feedback, will be engulfed in this breach, with an ideology of regulation with information that is only an avatar, in accordance of a more flexible patter.’ (Baudrillard, 1976, p.9) With this we can see that all cultures have become divorced from a natural reality born of experience and that the ideas of a structured culture have become replaced by a gap that is filled with the virtual. In this sense, life, according to Baudrillard, is one of virtual imagery that is then rationalised against a simulated code rather than an intrinsic relationship with nature. Essentially, this ideological code acting as virtual knowledge informs us of linear time and space and so distorts our experience of life and existence. The virtual imagery presented to us via global technology and media, such as the internet, then reinforces our application to this reality and gives us our user identity that replaces the old systems devised of actual or phenomenological reality. Scepticism towards global medias, technologies and the growing dependency that humanity and society had begun placing upon the cultural apparatus of the globe was put forward by Marxist philosopher Seigfried Kracaue rs in his concerns about the mass consumption of art. This indicated that reality of the working masses was hidden under the illusion (or virtuality) of mass produced, distributed and unrelated art (Kracauer, 1963). Expanding upon the ideas of mass consumption and art put forward by Kracauer, contemporary Walter Benjamin introduced the notion of time and space to this idea. Focusing upon the history of technological progression and its relationship to art and social reality, Benjamin suggested that, ‘Even the most perfect reproduction of a work of art is lacking in one element its presence in time and space, its unique existence as the place where it happens to be. This unique existence of the work of art determined the history to which it was subject throughout the time of existence. This includes the charges which it may have suffered in physical condition over the years as well as the various changes of its ownerships. The traces of the first can be revealed only by chemical or physical analysis which it is impossible to perform on a reproduction; changes of ownership are subject to a tradition which must be traced from the situation of the original’ (Benjamin, 1935, p.1) Bringing the role of time and space into the capitalist reproduction of art, Benjamin was able to expand upon Kracauer’s notion that this art was resistant to nature, the individual, the nation and the community. What Benjamin was then able to suggest was that firstly, any one piece of culture belongs to the mass production of art that determines it, and that secondly, every cultural artefact cannot stand free of the time and space in which it was presented as without its mass, it has no meaning or cultural apparatus from which it can be signified or understood (Benjamin, 1935). We can see from this that both Kracauer and Benjamin devised a rationale that applied to the placing of the ideological and virtual conceptual framework within the technological reality of global production. More contemporary thinkers and writers that have concerned themselves with this role of global media and their advancing technologies in the current global condition, hae often supported these view s providing evidence for the onus placed upon imagery in the process. For instance, in his text War and Peace in the Global Village writer Marshall McLuhan commented directly upon the growing dependency of western cultures mass media technologies. The global village mentioned in the title referred to the relationship between the people of the global cities and the mass culture that they consumed and were informed by. In particular, this text observed the actual impact that new technologies such as television and news had on cultural perception and indicated how it affected the perception of time within that perception, suggesting that it was being used to artificially construct a regional global identity based upon a virtual history and world based upon linear time and imagined geographies. For instance, information readily received from actual and real events in the world made the concept of a world and its state of being a direct part of one’s own naturalised condtion and e xperience. Essentially, as this mass of information could be freely accessed by anyone among the global village at any time, then the information could be seen as a virtual universalising reality. Furthermore, using an example of contemporary war coverage, McLuhan was able to demonstrate a clear biasness that was present in the then contemporary manipulation of mass technologies so that invading troops could be portrayed as ‘military contractors‘. He termed this as ’dichotomization’, which would offer two points of view both pertaining to the culture / counter culture of the presiding mass (McLuhan, 1963). This is the gap between knowledge and experience that Baudrillard was referring to, in which he believed synchronisation could flood the space now rendered free of actual time and actual space and portray the virtual as the real. Although we can see that both Kracauer and Benjamin’s theories of mass reproduction and McLuhan’s findings on the perceptions of technological medias are still relevant and apply to the presentation of the global world that we now find ourselves deeply immersed in, other theorists have offered another approach, implying that Kracauer and Benjamin’s theories contained a fatalistic scepticism that was born of the early twentieth century western modernist perspective. For instance, concerned with the notion of technological expansion, mass culture and the effects of globalisation, contemporary cultural theorist Homi Bhabha engaged in a global perspective that aimed to critique the notion of mass reproduction and its over riding condition. Considering Kracauer and Benjamin’s conceptual analysis of the reproduction of the mass and observing the colonial effects placed upon other cultures, Bhabha positioned this dimension in the conemporary sense by emphasising that it also formed a part of the dichotomy of the mass. Having placed their theory of mass reproduction as one of global scepticism, that was bound by the cultural historicity of their western heritage as is represented by Baudrillard’s positioning of Disney Land as a producer of virtuality within the contemporary age, Bhabha then suggested a third way approach that stood outside of the virtual mass and could observe it organically, either as individual or as a community. Having positioned Kracauer and Benjamin’s theories as part of the dichotomy of the mass, Bhabha was then able to indicate that the essence of a true global perspective was born of organic community that could be found somewhere outside of the global mass; somewhere away from the ‘imaginary’ virtual debates of global inter-national territories and free of their dependencies upon linear and grand concepts of history and time elase (Bhabha, 1994). He suggested that the location of this else where was within the unbound psychology of the individual and not in the construct of their ideological positioning within the virtual time and space created by global media, technology and information. Engaging with Benjamin’s notion of time and space in this cultural reproduction, Bhabha reasoned that, ‘The temporality of negotiation or translation has two main advantages. First, it acknowledges the historical connectedness between the subject and object of critique so that there can be no simplistic, essentialist opposition between ideological misrecognition and revolutionary truth. The progressive reading is crucially determined by the adversarial or agonistic situation itself; it is effective because it uses the subversive, messy mask of camouflage and does not come like a pure avenging angel speaking the truth of a radical historicity and pure oppositionality. If one is aware of this heterogeneous emergence (not origin) of radical critique, then and this is my second point function of theory within the political process becomes double edged. It makes us aware that our political references and priorities the people, the community, class struggle, anti-racism, gender difference the assertion of an anti-imperialist, black or thir perspective are not there in some primord ial, naturalistic sense. They make sense [only] when they come to be constructed in the discourses of feminism, Marxism.’ (Bhabha, 1994, p.23) It is from this idea of mass, global communication and its accessible depictions of regionalism and linear time that Baudrillard states that there is a synchronism. This synchronism is understood by Baudrillard as the thing that is manipulated by Disneyland to enforce and reinforce an idea of what is real and what is not that as part of the process negates the actual experience of the object itself. Essentially for Baudrillard, through image Disneyland is set within an ideological and conceptual framework reinforced by mass imagery and perceived as being real rather than being virtual. Through the mass image, the reality of Disneyland appears to us as real as it accords to the simulated code that acts and has replaced our naturalised and cultured knowledge structures, without the real experience itself being captured within an experiential temporality. Therefore, it is through the ideology of image that we view the notion of Disneyland as being fixed and constant and not in a transie nt state of natural and ultural change as pertains to objects of the organic or civilised worlds. Essentially, it is through a display of established imagery that Disneyland can synchronise all the places and all the periods of the virtually known globe, and its many cultures, in a single a-temporal virtuality and replace any reality in the process. Bibliography Bakhtin, M., (1993) Toward a Philosophy of the Act. Ed. Vadim Liapunov and Michael Holquist. Trans. Vadim Liapunov. Austin: University of Texas Press Baudrillard, J., (1968) The System of Objects Taken from: The Order of Simulacra (1993) London: Sage. Baudrillard, J., (1976) Symbolic Exchange and Death Taken from: The Order of Simulacra (1993) London: Sage. Benjamin, W., (1935) The Work of Art in the Mechanical Age of Reproduction London: Harcourt. Bhabha, H., (1994) The Location of Culture New York: Routledge Kracauer, S., (1963) The Mass Ornament London: Harvard University Press. McLuhan, M., (1968) War and Peace in the Global Village Washington: Washington Post. Web Links Baudrillard, J., (1996) Disneyworld Company Paris: Liberation. Taken from: www.ctheory.net/articles.aspx?id=158 Jean Baudrillard

Renaissance Man

Florida Institute of Technology Civilizations I – Professor Lusty December 15, 2012 Think about the qualities of a Renaissance Man. Choose a man/woman/profession from the late 20th (or early 21st) century –even someone still alive today– that you think encompasses the spirit of the Renaissance ideal, and give 2 specific areas/ aspects that connect to this ideal. Be as specific as you can. What are the qualities of a renaissance man?According to the dictionary, a incessant man is â€Å"a cultured man of the Renaissance who was knowledgeable, educated, or proficient in a wide range of fields or a present-day man who has acquired profound knowledge or proficiency in more than one field† (Dictionary. Com, 2012). Using this definition, there is one who comes to mind as a renaissance man; Patrick Byrne. Patrick Byrne, Overstock. Coma's Chief Executive Office and Chairman, â€Å"has a Bachelor of Arts degree in Chinese studies from Dartmouth College, a Master'sD egree from Cambridge University as a Marshall Scholar, and a Ph. D. In philosophy from Stanford University' (Forbes, 2012). His quest to improve the academic quality for America's children has resulted in his appointment to Co-chairman of the Friedman Foundation for Educational Choice. He has founded numerous schools internationally – 19 to be exact – and implemented programs to help fund education by directing funding directly to the teachers and in the classrooms.To date, states such as Georgia, Texas, Kansas has implemented the 65% rule, agreeing that 65% of every dollar will be used for classroom instruction. Other states such as Dakota and South Carolina are considering implementing the same program for the schools in the states. As a former professor, Byrne, accompanied several Dartmouth students to Beijing, teaching a course on the economic conditions of the country while there. Byrne has also taught several classes at Dartmouth.Barnes achievements, which also i nclude having a black belt in Tea Swan Do, increasing awareness for cancer research, being a writer and Journalist, and an investor, definitely correspond with the definition of a modern day renaissance man. References Dictionary. Com. (2012, December 14). Retrieved from Dictionary. Com: http:// dictionary. Reference. Com/browse/renaissance+man Forbes. (2012, December 14). Retrieved from Forbes. Com: http://www. Forbes. Com/profile/Patrick-Byrne-2/

La Indolencia de Los Filipinos Essay

La indolencia de los filipinos (y de los estudiantes tambien) 1. What was the effect of conviction of â€Å"inferiority? † -The child or youth who tries to be anything else is blamed with vanity and presumption; the curate ridicules him with cruel sarcasm, his relatives look upon him with fear, strangers regard him with great compassion. No forward movement — Get back in the ranks and keep in line! With his spirit thus molded the native falls into the most pernicious of all routines: routine not planned but imposed and forced. Note that the native himself is not naturally inclined to routine but his mind is disposed to accept all truth, just as his house is open to all strangers. The good and the beautiful attract him, seduce and captivate him although like the the Japanese he often exchanges the good for the evil, if it appears to him garnished and gilded. What he lacks is in the first place liberty to allow expansion to his adventuresome spirit, and good examples, beautiful prospects for the future. It is necessary that his spirit, although it may be dismayed and cowed by the elements and the fearful manifestation of their mighty forces, store up energy, seek high purposes, in order to struggle against obstacles in the midst of unfavorable natural conditions. In order that he may progress it is necessary that a revolutionary spirit, so to speak, should boil in his veins, since progress necessarily requires the present; the victory of new ideas over the ancient and accepted one. It will not be sufficient to speak to his fancy, to talk nicely to him, nor that the light illuminate him like the ignis fatuus that leads travelers astray at night: all the flattering promises of the fairest hopes will not suffice, so long as his spirit is not free, his intelligence is not respected. 2. What is the meaning of the statement, tila ka kastila? The pernicious example of the dominators in surrounding themselves with servants and despising manual or corporal labor as a thing unbecoming the nobility and chivalrous pride of the heroes of so many centuries; those lordly airs, which the natives have translated into tila ka castila, and the desire of the dominated to be the equal of the dominators, if not essentially, at least in their manners; all this had naturally to produce aversion to activity and fear or hatred of work. 3. What does Rizal mean by saying that indolence in the Philippines is a chronic but not an inherited disease? When in consequence of a long chronic illn ess the condition of the patient is examined, the question may arise whether the weakening of the fibers and the debility of the organs are the cause of the malady’s continuing or the effect of the bad treatment that prolongs its action. The attending physician attributes the entire failure of his skill to the poor constitution of the patient, to the climate, to the surroundings, and so on. On the other hand, the patient attributes the aggravation of the evil to the system of treatment followed. Only the common crowd, the inquisitive populace, shakes its head and cannot reach a decision. Something like this happens in the case of the Philippines. Instead of a physician, read government, that is friars, employees, etc. Instead of patient, Philippines; instead of malady, indolence. 4. What proofs did Rizal give to show that pre-Spanish Malayans were not indolent? -Before the arrival of the Europeans, the Malayan Filipinos carried on an active trade, no only among themselves but also with all the neighboring countries. All the histories of those first years, in short, abound in long accounts about the industry and agriculture of the natives; mines, gold-washings, looms, farms, barter, naval construction, raising of poultry and stock, weaving of silk and cotton, distilleries, manufactures of arms, pearl fisheries, the civet industry, the horn and hide industry, etc. , are things encountered at every step, and considering the time and the conditions in the islands, prove that there was life, there was activity, there was movement. 5. How did it happen that the industrious pagan culture was transformed into that of an indolent Christian culture? -We have already spoken of the more or less latent predisposition which exists in the Philippines toward indolence, and which must exist everywhere, in the whole world, in all men, because we all hate work more or less, as it may be more or less hard, more ore less unproductive. The dolce far niente of the Italian, the rascarse la barriga of the Spaniard, the supreme aspiration of the bourgeois to live on his income in peace and tranquility, attest this. It seems that there are causes more than sufficient to breed indolence in the midst of a beehive. Thus is explained why, after thirty-two years of the system, the circumspect and prudent Morga said that the natives have forgotten much about farming, raising poultry, stock and cotton and weaving cloth, as they used to do in their paganism and for a long time after the country had been conquered! † 6. Why does the city of Hong Kong have more commercial and trade activities than the whole of the Philippines? It has more commercial movement than all the islands together, because it is free and is well governed. The great difficulty that every enterprise encountered with the administration contributed not a little to kill off all commercial and industrial movement. All the Filipinos, as well as all those who have tried to engage in business in the Philippines, know how many documents, what comings, how many stamped papers, how much patience is needed to secure from the government a permit for an enterprise. One must count upon the good will of this one, on the influence of that one, on a good bribe to another in order that the application be not pigeon-holed, a present to the one further on so that it may pass it on to his chief; one must pray to God to give him good humor and time to see and examine it; to another, talent to recognize its expediency; to one further on sufficient stupidity not to scent behind the enterprise an insurrectionary purpose land that they may not all spend the time taking baths, hunting or playing cards with the reverend friars in their convents or country houses. And above all, great patience, great knowledge of how to get along, plenty of money, a great deal of politics, many salutations, great influence, plenty of presents and complete resignation! 7. Was there gambling in the country before the coming of the Spaniards? -Yes, we do not mean to say that before the coming of the Spaniards the natives did not gamble: the passion for gambling is innate in adventuresome and excitable races, and such is the Malay, Pigafetta tells us of cockfights and of bets in the Island of Paragua. Cock-fighting must also have existed in Luzon and in all the islands, for in the terminology of the game are two Tagalog words: sabong and tari (cockpit and gaff). But there is not the least doubt that the fostering of this game is due to the government, as well as the perfecting of it. 8. What are the effects of too many religious festivals on the country? Remember, that lack of capital and absence of means paralyze all movement, and you will see how the native was perforce to be indolent for if any money might remain to him from the trials, imposts and exactions, he would have to give it to the curate for bulls, scapularies, candles, novenaries, etc. And if this does not suffice to form an indolent character, if the climate and nature are not enough in themselves to daze him and deprive him of all energy, recall then that the doctrine of his religion teach him to irrigate his fields in the dry season, not by means of canals but with amasses and prayers; to preserve his stock during an epidemic with holy water, exorcisms and benedictions that cost five dollars an animal, to drive away the locusts by a procession with the image of St. Augustine, etc. It is well, undoubtedly, to trust greatly in God; but it is better to do what one can not trouble the Creator every moment, even when these appeals redound to the benefit of His ministers. We have noticed that the countries which believe most in miracles are the laziest, just as spoiled children are the most ill-mannered. Whether they believe in miracles to palliate their laziness or they are lazy because they believe in miracles, we cannot say; but he fact is the Filipinos were much less lazy before the word miracle was introduced into their language. 9. What other evidence may be pointed out to show the lack of national sentiment? -The very limited training in the home, the tyrannical and sterile education of the rare centers of learning that blind subordination of the youth to one of greater age, influence the mind so that a man may not aspire to excel those who preceded him but must merely be content to go along with a march behind them. Stagnation forcibly results from this, and as he who devotes himself merely to copying divests himself of other qualities suited to his own nature, he naturally becomes sterile; hence decadence. Indolence is a corollary derived from the lack of stimulus and of vitality. That modesty infused into the convictions of everyone, or, to speak more clearly, that insinuated inferiority, a sort of daily and constant depreciation of the mind so that it may not be raised to the regions of life, deadens the energies, paralyzes all tendencies toward advancement, and of the least struggle a man gives up without fighting. If by one of those rare incidents, some wild spirit, that is some active one, excels, instead of his example stimulating, it only causes others to persist in their inaction. There’s one who will work for us; let’s sleep on! † say his relatives and friends. True it is that the spirit of rivalry is sometimes awakened, only that then it awakens with bad humor in the guise of envy, and instead of being a lever for helping, it is an obstacle that produces discouragement. 10. How do we know there was no national sentiment? -Absence of all opposition to measu res prejudicial to the people and the absence of any initiative in whatever may redound to its good. A man in the Philippines is only an individual, he is not a member of a nation. He is forbidden and denied the right of association, and is, therefore, weak and sluggish. The Philippines is an organism whose cells seem to have no arterial system to irrigate it or nervous system to communicate its impressions; these cells must, nevertheless, yield their product, get it where they can; if they perish, let them perish. In the view of some this is expedient so that a colony may be a colony; perhaps they are right, but not the effect that a colony may flourish.

Essay on Medical Assistant is a Rewarding Career - 653 Words

Medical Assistant Being a medical assistant can be a satisfying career choice for those who take pleasure in helping others, have superior communication skills, and are able to multitask. Medical assistants are constantly on the look out to help patients and health professionals. Affection and compassion are personality traits for a career as a medical assistant. Being a medical assistant is a phenomenal career and a rewarding one too. Medical assistants lend a helping hand to a ton of people, whether it be patients or the people of the health department. They work alongside doctors in the hospital or clinic. Medical assistants tend to the patients by assisting doctors. Medical assistants are fond of helping others. Medical†¦show more content†¦They devote a lot of time filling out medical records. In addition, medical assistants schedule appointments for thousands of clients each day. Medical assistants are masters at multitasking. Medical assistants are magnificent at mult itasking. Medical assistants have records for patients. They also scan and file reports. They take notes of why the patient is visiting the doctor’s office. In addition, to the notes they take your blood pressure, height, weight, and temperature. Medical assistants are cross-trained to perform clinical duties such as coding and filling out insurances forms for the physicians (AAMA, 1996). They handle correspondence, billing, and bookkeeping (AAMA, 1996). They assist the physicians during exams and prepare and administer medication as directed by a physician (AAMA, 1996). Medical assistants also remove sutures and change dressings (AAMA, 1996). Medical assistants are essential members of the health department. Medical assistant are all about keeping the patients feeling at home and comfortable in the hospital (Boston Reed College, 2011). Medical assistant have both administrative and clinical duties. Medical assisting is one of the nation’s fastest growing career in the United States of America (BLS, 2014). Medical assistants are excellent at helping people, communicating, and multitasking. The median annual wage for medical assistants was $29,370 in May 2012. The median wage is the wage atShow MoreRelatedU.s. Bureau Of Labor Statistics896 Words   |  4 PagesThe increasing demand for professions in health care make being a surgeons assistant a great career choice. The U.S. Bureau of Labor Statistics (BLS) said that in 2012, there were approximately 98,500 professionals in this field. Although the U.S. Bureau of Labor Statistics (BLS) doesn t provide job outlook information for surgical assistants specifically, it does give information about surgical technologists. In 2012, there were approximately 98,500 professionals in this field. 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